![]() ![]() The question is what will allow you to focus on making music. I’m not here to bash Apple releases or to be a cheerleader. There are also some reasons to genuinely look forward to iOS 13, particularly in that it finally adds real file management (with Files), though it’ll take some time for developers to update their tools. (Bleeding edge, advanced apps like Moog’s Minimoog Model D and Model 15 saw some issues, which have since been resolved, CDM has confirmed.) ![]() iOS 13.1 delivered a bunch of fixes to various unexpected behaviors, and developers are following suit. IOS Inter-App Audio is going away Audiobus creator on what’s next See KORG’s statement on iOS 13 and Catalina. There seems to be no evidence this will be a long-term issue, just something that requires some short-term fixes. KORG says they are working on a fix, though. (See also: macOS Catalina.) I would presume that may be the reason for this. (That’s microKEY Air, nanoKEY Studio, and nanoKONTROL Studio.)Īpple did make changes to some Bluetooth security permissions, as the company seems uniquely focused on security and privacy as issues. I’ve seen sporadic unconfirmed reports of this, plus an official statement from KORG that their wireless devices that work over Bluetooth MIDI are presently incompatible. iOS 13 does in the short term introduce some connectivity issues with working with MIDI over Bluetooth and discoverability. There are two specific areas I’ve been tracking.īluetooth MIDI. IOS 13 got off to a somewhat rocky start for music, but Apple are fixing issues and redeemed the OS, according to various developers with whom I’ve spoken. iOS 13 brought some major changes, particularly on the iPad, but those are gradually getting smoother out – in particular with the iOS 13.1 release. Okay, with all of that out of the way – iOS 13 doesn’t appear as though it will cause any long-lasting incompatibilities with music software. So take your time, leave some weeks for the bugs to be ironed out, and make sure you’re not upgrading right before going onstage with your iPad as a live instrument. IOS does pose an additional challenge: it’s practically impossible to roll back after upgrading. (Since an iPad or iPhone is definitely connected to the Internet, that’s a serious issue in a way that it wouldn’t be on, say, a vintage KORG MS-20 hardware synth.) You’ll eventually miss out on newer features in your favorite apps, and can even create security vulnerabilities if you wait long enough. At the opposite extreme, never upgrading the OS is also problematic in most cases. There’s virtually no case where you need to stay that current for music making. Moving to grab a new OS the day it’s out is crazy. With iOS, just as with macOS, the main message is – don’t rush. But we didn’t talk about the new iOS and what it means for musicians using iPads and iPhones in their work. The word of faith is working like fire for the liberation of mankind across the nations.Ĭanaanland,Km.Okay, so you got the message not to rush into macOS Catalina. Today, testimonies of liberation through our messages, books, tapes, magazines and other periodicals are most humbling. Alongside, a caucus was put in place, tagged The Power House which was involved in prayers and fasting among others towards the actualization of this heavenly vision. Shortly, thereafter, a weekly teaching programme took-off popularly known as the Faith Liberation Hour. This was the genesis of this global ministry today and according to this mandate, the Word of Faith is the key to triumphant living. “Above all, taking the shield of faith, wherewith ye shall be able to quench all the fiery darts of the wicked” (Eph 6:16). This mandate was further confirmed from the epistle of Paul to the Ephesians where God Said, “The Hour Has Come To Liberate The World From All Oppressions Of The Devil Through The Preaching Of The Word Of Faith, And I Am Sending You To Undertake This Task.” I questioned further, “But why Lord ?” and then came the mandate, “Why Lord ?” I heard the Lord say to me, “But from the beginning it was not so”. I was so moved with compassion that I began sobbing profusely asking, On May 2, 1981, at the end of a visionary encounter that lasted about eighteen hours, I saw a roll of afflicted, battered, beaten, tattered, deformed and all that one could ever imagine, groaning and agonizing, as a result of pains and pangs, crying as it were for rescue. ![]()
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